During harvest festival at a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina and the ballerina’s husband decide to swap roles for the evening…
Alexei Ratmansky invokes the genius of Shostakovich’s score at the Bolshoi, creating a laugh-out-loud masterpiece with its bits of slapstick comedy, hilarious deceptions, false identities including Principal Dancer Ruslan Skvortsov dressed as a Sylph and its many colorful characters! The Bolshoi bursts with vivid life and bright spirits in Ratmansky’s brilliantly choreographed smash.
Warsaw, December 1945: the second World War is finally over and Mathilde is treating the lastof the French survivors of the German camps. When a panicked Benedictine nun appears at the clinic one night begging Mathilde to follow her back to the convent, what she finds there isshocking: a holy sister about to give birth and several more in advanced stages ofpregnancy. A non-believer, Mathilde enters the sisters’ fiercely private world, dictated by the rituals of their order and the strict Rev. Mother (Agata Kulesza, Ida). Fearing the shame ofexposure, the hostility of the new anti-Catholic Communist government, and facing an unprecedented crisis of faith, the nuns increasingly turn to Mathilde as their belief and traditionsclash with harsh realities.
In a seaside town where business and mafia are flourishing, The Golden Age cabaret is the favorite nightly haunt of dancers, bandits and young revelers, where the young fisherman Boris falls in love with Rita, a beautiful dancer, but also the friend of a local gangster…
A satire of Europe during the Roaring 20s, The Golden Age makes for an original, colorful, and dazzling show with its jazzy score and music-hall atmosphere. This ballet that can only be seen at the Bolshoi has everything to it: mad rhythms, vigorous chase scenes, and decadent cabaret numbers. With its passionate love story featuring beautiful duets between Boris and Rita, the Bolshoi dancers plunge into every stylized step and gesture magnificently.
Following their hit run on Broadway, Ian McKellen and Patrick Stewart return to the West End stage in Harold Pinter’s No Man's Land, broadcast live to cinemas from Wyndham’s Theatre, London.
One summer's evening, two ageing writers, Hirst and Spooner, meet in a Hampstead pub and continue their drinking into the night at Hirst's stately house nearby. As the pair become increasingly inebriated, and their stories increasingly unbelievable, the lively conversation soon turns into a revealing power game, further complicated by the return home of two sinister younger men.
In 1983, after decades of steady deterioration, writer and theologian John Hull became totally blind. To help him make sense of the upheaval in his life, he began documenting his experiences on audio cassette.Following the Emmy Award-winning short film of the same name, NOTES ON BLINDNESS takes a creative approach to the documentary form. Actors lip-synch to the voices of the family, embedding John’s original audio recordings within compelling cinematography and textured sound design. The result is a poetic and intimate story of loss, rebirth and transformation, documenting John’s extraordinary journey into ‘a world beyond sight’.